Ingrid Velasquez

Archive for December, 2009|Monthly archive page

Kudos to this Copywriter

In Random finds on December 21, 2009 at 10:11 AM

I found this copy in the Philippine Daily Inquirer. It’s a press release for the Edades Tower and Garden Villas, a residential tower being constructed (or will be) in Rockwell:

It was the time when only pastoral landscapes and flawless brown skinned bodies ruled the art scene. Nubile maidens, demure even in naked glory, bathed in crystal waters. And as always, the rice stalks abound. The carabaos portrayed a languid countenance. Art was anything and everything idyllic. Often, beasts of burden were depicted as contented cows.

Until Victorio Edades came along. Born on December 23, 1895 to Hilario and Cecilia Edades, he was the youngest of ten children. Being non-conformist, he didn’t succumb to small pox as 6 of his siblings did. Right after high school, he sailed to the United States, labored in factories, moved to Seattle and took up architecture. He detracted and earned a Master of Fine Arts in painting. And got himself out of design disciplines.

Rebelling against form and function, he immersed in Cezanne, Gauguin, Matisse and other post-impressionist icons. He went home, did a one man show and sold none of his work.

Still, Edades won over the “Classic Fundamentalists”. went against the conventions of domestic art and was honored with the “National Artist Award in Painting”. Much like Cezanne whose work was rejected for five years by the famous Paris Salon, Edades fought for geometric simplification and the fracturing of proportions. As Cezanne paved the way for Cubism, Edades started the Modernists movement in the Philippines.

It was a long way from Barrio Bolosan, Pangasinan. Edades, resisted in a time where a small town felt like a political arena. The collective and the communal were routinely repressed and viciously suppressed. Art was also like religion, sanctified and sanitized. But people who are fated to be catalysts have the locus standi. “That which is impossible to force, is impossible to hinder.”

For Edades, art can’t change anything except people. And people can change everything.

The ending paragraphs were the best: I thought it was a nice tie-up. Unfortunately, I couldn’t fine the same advertisement on the Net so I can’t show you the layout, but I did the next best thing and scanned a picture:

I have no idea who the creator of this is, though.

I’ve always thought that the advertising industry is one of the best to work in: imagine art earning money. Happy, di ‘ba?

Thoughts on Vacation Leave

In Work, work, work on December 20, 2009 at 7:11 PM

I’m home, on my very last vacation leave for the year. I’m antsy because somebody might take my seat, LOL.

Videoke and Free Pizza

In Work, work, work on December 19, 2009 at 3:51 PM

Our trainer was right: possibly the best and most fun part of training is Voice and Accent. It’s definitely the easiest because we weren’t even given the usual BS about speaking “American-accented English” and every day felt like one long playdate. It definitely helped that our trainer, Ron, was hilarious and very likeable.

After the free dinner to celebrate our graduation (and cement our loyalty to the company), we went on to a Videoke bar, where, it’s rumored, I got roaring drunk and started arguing in English. One claims to have seen me finish off an entire bucket of San Mig Light and then sing. I deny everything, of course.

We had pad thai, seafood, San Mig Light and weng-weng, plus some other things unidentifiable in the dim light. Ron used the ladies’ bathroom, Camille hogged one of the two microphones, we paid an indecent bill and went home very late and very happy.

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